The art of improvisation and the aesthetics of imperfection
Identifieur interne : 000A42 ( Main/Exploration ); précédent : 000A41; suivant : 000A43The art of improvisation and the aesthetics of imperfection
Auteurs : A. Hamilton [Royaume-Uni]Source :
- The British Journal of Aesthetics [ 0007-0904 ] ; 2000-01.
English descriptors
- Teeft :
- Aesthetics, Andy hamilton, Bill evans, Busoni, Central claim, Charlie parker, Clarendon press, Classical authority, Classical music, Complete spontaneity, Compositional method, Conrad cork, Derek bailey, Different ways, Evan parker, Evans transcriptions, Extraneous knowledge, Faithful representation, Fine blues piano, Free improvisers, Free jazz, Genuine phenomenon, George lewis, Higher source, Imperfection, Improvisation, Improviser, Improvisers, Individual timbre, Instant composition, Instrumental impulse, Intentional fallacy, Interactive empathy, Interpenetrating opposites, Jazz saxophonist, John cage, Keith jarrett, Many improvisers, Many proponents, Miles davis, Musical material, Musical performance, Musical work, Musical works, Original idea, Present essay, Primary forms, Pure spontaneity, Rival aesthetics, Rough energy, Same song, Saxophonist steve, Schoenberg, Spontaneous creation, Standard songs, Such claims, Theatrical side, Thelonious monk, Violin concerto.
Url:
DOI: 10.1093/bjaesthetics/40.1.168
Affiliations:
Links toward previous steps (curation, corpus...)
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Le document en format XML
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